Almost finished The Blossom Dream Painting. I’d really like to scrub this with a wire brush but the base I worked on was grey and I might want some white scratchy marks to finish this piece. I’ll have a think. It’s not always possible to plan ahead and this baby went altogether darker and more shadowy than I’d intended so Ampersand clayboard would have been perfect to scratch back to white but never mind – I’ll have to use the old noggin instead.
Who Knew? In preparation for our doorway painting, Blossom and I have been studying Vilhelm Hammershøi’s beautiful brushwork and I have been amazed by how many paintings he managed to shoehorn his little pooch into. Can’t say I’d noticed before now. Wait! Oh Blossom!! I’ve begged you – BEGGED you not to paint in my reference books. Where’s the turps?
A Blossom a Day no. 490. I had a Dream for a Painting…of Blossom standing in a doorway, strongly backlit with her arms down by her sides. The air is still and the walls are softly shaded. She is standing very still, frozen to the spot, possibly waiting, perhaps about to speak, in a seemingly empty apartment. Part Hammershoi part Close Encounters. Very soft shaded whites and palest blue-greens throughout except for the scorching white light from the back room which bleaches out any details from sight. There is an unclear portrait of a human on the wall and the proportions of the door are human but Blossom is alone. The room is clean and bright and the air is clear and fresh but still there seems to be trapped in the light, a great and terrible melancholy.
I’ve recently switched to Michael Harding oil paints to see what all the fuss is about, and my paintings completely changed in a moment. I know the science, but I couldn’t say for sure WHY these paints handle so differently. What I do know is that I haven’t mixed any combination of colours yet that haven’t been absolutely beautiful to my eye, and working wet in wet is a dream and a doddle. All in all my work just ends up being better than I might have hoped it would be and incredibly, a pleasure for me to look at the colours, shapes and textures rather than at what I might have done differently. Blossom in Oil on Board 80 x 125mm
A Blossom a Day. No.402. The Blossom Massive. This is our largest painting yet at a cracking 24ft x 14ft Blossom had to hold the ladder while I did the high bits. It’s a very special commission for the entrance at the National Portrait Gallery. Wait…. what’s that Blossom? Right. Well, Blossom got the measurements wrong apparently. It was supposed to be 24 x 14 CENTIMETRES and it’s for National EXPRESS. Stares into camera and sighs. 😡 https://www.instagram.com/davidwslack
Hello hello. I had some lovely large prints made for me by the brilliant Martell in St Leonards, of some of my paintings and have each of the below available. They are £65 each including p&p within the UK. I will be offering more soon. They are beautifully printed and sit within a nice white border at 50cm x 40cm ready for (standard frame size) framing. These few prints are the first in a series and will be signed and numbered. If you arrived through lovely Suzi Ruffell’s instagram you’ll have seen the size framed up. Just a simple skinny frame looks great. Please use my contact page if you are interested and thanks for looking folks. XXX
Well it’s Day 41 of the Blossom a Day project and I’m having a lovely time using Dr Martin’s liquid watercolours. They interact so interestingly with each other. Layering with bleed-proof white makes beautiful accidental dreamlike marks and colours. This is great. Can’t wait to get stuck in to the next one.